Legzo Casino with Theatre: A Tale of Two Pleasures

Canada offers a vast and diverse landscape of Canadian theater. Black Radish Theatre emerges as a distinct entity, capturing audiences with its innovative productions and dedication to theatrical excellence. This company, though not as old as some of its venerable peers, has managed to carve out a unique niche in Canada's cultural scene.

In the world of entertainment, two establishments that often capture the imagination and attention of the public are casinos and theaters. While both offer unique experiences, there's a contrast in the nature of the pleasure provides. Let’s delve deep into the world of this place and theater to understand these distinctions.

Origin and History

The gambling unit finds its roots in the age-old traditions of gambling, where risk and reward are played out in thrilling games of chance. The allure of the casino comes from its unpredictable outcomes and the possibility of striking it rich. On the other hand, it traces its lineage to ancient storytelling traditions. Stages have been cultural hubs for centuries, presenting stories that evoke emotion, convey messages, and connect communities.

Atmosphere and Ambiance in Legzo Casino

The ambiance of the place is marked by bright lights, high energy, and the constant hum of machines and chatter in Legzo Casino. Every corner of the unit vibrates with excitement, from the clink of coins to the spin of the roulette wheel.

Contrastingly, the drama offers a more serene environment. From the moment you step in, you’re wrapped in a cocoon of anticipation. The dimmed lights, the soft velvet seats, and the majestic stage all set the tone for an intimate experience.

Engagement and Interaction

In the gaming unit, the interaction is primarily between the player and the game. While there are social elements like table games where players can engage with each other, the primary relationship is with one's luck and strategy.

The theater, however, is a passive experience for the audience. The interaction is between the performers and the spectators, similar to players in Legzo Casino . As a spectator, one is transported to another world, living vicariously through the characters and the narrative.

Economic Implications

At the platform, money is a significant player. The thrill of gambling often intertwines with the hope of monetary gains. The economic outcome is uncertain, and there's always a possibility of loss. The transaction is straightforward. You purchase a ticket to witness a performance. The value derived is intangible, measured in terms of emotional satisfaction and intellectual stimulation.

A casino experience can be as short as a few minutes or extend to several hours, depending on one's luck and interest. The games in Legzo Casino can be played repeatedly, with each round offering a new possibility. Conversely, a theater performance at the platform has a defined beginning, middle, and end. While the same show can be watched multiple times, the narrative remains unchanged. However, each viewing might offer a new perspective or insight.

Impact and Takeaway

While the betting platform might provide an adrenaline rush and possibly a heavier wallet, the long-term impact is often ephemeral. The highs and lows of gambling are fleeting, and the memories may fade with time.

A powerful theater performance, on the other hand, can leave a lasting impression. The stories, characters, and emotions experienced in Legzo Casino can shape one's perspectives and even influence real-life decisions. The unit caters to different facets of human desire. While the casino tantalizes with its unpredictability and potential rewards, the stage captivates with its storytelling prowess. Both have their unique charm and cater to diverse audiences. Whether one is seeking the thrill of the game or the depth of a narrative, there's something for everyone in the world of entertainment.

Charming, mysterious, hilarious and poetic – a timeless play about the passing of time.

PERFORMANCE DATES: April 25 to May 12, 2019 Tuesday through Saturday at 7:30, Saturday and Sunday matinees at 2 pm.

RUNNING TIME: Two acts – each under an hour, with a 20 minute intermission
Target Audience: People who love theatre – who love to think, laugh and cry. Ages 12 and up.

TICKET INFORMATION: (403) 205-2922 ext. 1

SCHOOL MATINEES: Thursday April 25, Wednesday May 1 & Tuesday May 7 – all @ 11:30 am
– contact Pam Lang at or 403.243.7895 for booking info.

Cast and Crew

Actor: Chris Hunt – has received eight of Calgary’s Betty Mitchell awards for his acting, most recently for Theatre Calgary’s TWELFTH NIGHT. For over 30 years, he’s performed for theatre companies large and small, in Calgary and across the country. Chris has toured to the U.K. with Ghost River Theatre and One Yellow Rabbit, and he saw many corners of Canada with the solo Shakespeare-inspired show WHEN THAT I WAS. He occasionally works as a director, adjudicator and writer, and enjoys playing a bit of guitar, mandolin and clawhammer banjo. Christopher was recently humbled to receive the 2018 Harry & Martha Cohen Award for his significant and sustained contribution to the Calgary theatre community.

Actor: Andy Curtis – is a member of the One Yellow Rabbit Theatre ensemble, which creates original works in the Big Secret Theatre, performing and touring internationally for over 30 years. In 2007, the OYR ensemble was awarded the Lieutenant Governor of Alberta Distinguished Artist Award. Andy has worked with many Calgary theatres companies, including Theatre Calgary, ATP, Ground Zero, Loose Moose, Quest, Stage West, Ghost River, Vertigo Theatre and Lunchbox. Andy had the great fortune to perform alongside his daughter at the National Arts Centre in Ottawa in MAKING TREATY 7, an ongoing project which explores the historical significance and aftermath of the events which took place at Blackfoot Crossing in 1877.

Actor: Duval Lang – has been very active in the dynamic growth of the Calgary theatre community for over 40 years. He was a co-founder and Artistic Director of Quest Theatre, a prominent Canadian theatre for young audience company for 25 of those years and is now a busy freelance actor and director working across the country. Duval has been recognized with Betty Mitchell (Calgary) and Sterling (Edmonton) nominations and awards for his acting work and is a recipient of the Harry and Martha Cohen Award for significant and long-term contribution to theatre in Calgary.

Actor: Tyrell Crews – is a Calgary based theatre actor, film actor, and voice talent. Tyrell received his Performing Arts Diploma through Mount Royal College in 2003. His work has taken him across the country, from Bard On The Beach in Vancouver, to the Stratford Festival, to The National Arts Centre in Ottawa where he starred as Mr. Darcy in PRIDE AND PREJUDICE. In Calgary, he has performed at Theatre Calgary, Vertigo Theatre, Alberta Theatre Projects, Sage Theatre, Ground Zero/ Hit and Myth Productions, and Downstage Theatre. Tyrell was the recipient of the Betty Mitchell Award for his work in OUR TOWN at Theatre Calgary. He has also been awarded a Critic’s Choice Award for his work in Downstage’s BENEFIT.

DIRECTOR: Denise Clarke – is an Ensemble member and creator of many shows at One Yellow Rabbit. Denise created the Summer Lab Intensive in 1997 and has recently written a book about her creation methods – The Big Secret Book: An Intense Guide for Creating Performance Theatre. She directs, teaches, performs and choreographs around the world. In 2013, Denise was appointed as a Member to the Order of Canada, and was also recognized by the University of Calgary with an Honourary Doctorate from the Faculty of Arts.

SET & LIGHTING DESIGNER: Terry Gunvordahl – is a designer of sets, lights, costumes, props and projections. His work has been seen in theatres across Canada and in the United States. Terry’s designs have been critically acclaimed and have won design awards in several categories. He’s also been an Art Director for film and television. Gunvordahl has also designed for opera, concerts, and created exhibits and theme parks.

COSTUME DESIGNER: Ralamy Kneeshaw – loves working on projects with huge heart, co-creating with actors and directors, and digging into historic detail. She’s developed an “organic costuming” approach focused on supporting character development by working closely with actors during the rehearsal process. Ralamy brings early experiences as an actor and life experience as a researcher/writer to her costume design.